The piece has the form of a rondo. First we have the very rhythmical
part A, which is also strongly inspired by Piazzolla and by ProkoKievs
second piano sonata. Thereafter in B we have a short and fast
transaction inspired by Chopin, which leads us to a humoristic waltz
strongly inspired by Shostakovich. We return to a slightly modiKied A
which Kirst becomes an inverse A that leads us to a mix where the right
hand plays parts of the waltz while the left hand continues with the
rhythmical pattern of A. Then we will come to a strongly jazz inspired
part C, where the right hand plays seventh chords while the left hand
continues with the pattern of theme A, slowly going over to unison
seventh chords with the right hand. (This part C was added in February
2010 on one of my regular train journeys between Tampere and Helsinki.)
After this there is a last time part A with a great crescendo and a
forte fortissimo ending.