Composer's Notes (See: Boosey & Hawkes)
When I heard recorded performances by Colin Currie, I was impressed by the virtuosity and musicality in handling the various kinds of percussion instruments. When asked, I was willing to compose a concerto for him to play, and when he visited Helsinki in the late 2007 I could already show him sketches for the work.
The title Incantations came to my mind early during the composing process – but to avoid too much conventional and monotonous "shamanism" I made use of rhythm in varying ways: 7/8, 3+2+3/8, 11/8 etc.
As melodic line is always important for me, marimba and vibraphone are often in the foreground in all three movements. The orchestra opens the work with a powerful motive. Then marimba takes over with fast ornamental passages. Variations follow each other until the movement closes with the opening motive. In the second movement the vibraphone dominates, the atmosphere is brooding, expressive and poetic. Third movement could be a shaman’s dance in a jerky rhytm. A free cadenza gives the soloist an opportunity to improvise. It leads to a ”grandioso” end based on the opening motive from the first movement.
Einojuhani Rautavaara, 2008 Instrumentation
2222 2320 11 0, str, perc solo Category
Works for Soloist(s) and Orchestra Premiere
Colin Currie, percussion, London Philharmonic Orchestra, Yannick Nézet-Séguin, cond. Royal Festival Hall, London, UK, 24 October 2009 Commisioned by / dedications
Commissioned by London Philharmonic Orchestra, Rotterdam Philharmonic Orchestra, Tampere Philharmonic Orchestra, Baltimore Symphony Orchestra.
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