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Leonid Bashmakov
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Bashmakov's stylistic roots are in the Neo-Classicism of the 1950s, which his dodecaphonic transition period distilled and concentrated into his later highly expressive free-tonal style. Bashmakov is occupied above all with absolute music - symphonies, concertos and chamber music - although he has also written a number of extensive vocal works, most significantly the Requiem (1988) for soloists, choir and orchestra. - Kimmo Korhonen